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The Drover's Wife review: Leah Purcell debuts her powerful new Australian opera
It's been a long wait, but Leah Purcell has finally brought her musical adaption of Henry Lawson’s famous short story…
The Shepherd’s Hut review: Tim Winton adaptation burns bright
Black Swan's stirring adaptation of The Shepherd's Hut is proof of the strength of Western Australian storytelling.
The Importance of Being Earnest review: a complete joy
Oscar Wilde’s battle of the sexes becomes a dazzlingly funny free-for-all in this gloriously gender-bent production.
Waitress review: all the ingredients but not enough time in the oven
Waitress the Musical makes a sweet Aussie debut with star Natalie Bassingthwaighte at the helm, but doesn't quite live up…
The Other Side of Me review: superb dance production is 'like riding a wave'
After debuting at the Darwin Festival, The Other Side of Me now travels to Sydney.
Game Set Match review: love all?
You may think Megan Wilding’s Malthouse debut – Game. Set. Match. – is all about tennis, but this is no…
Audible Edge review: a 'sublimely curated' festival of exploratory music
From throat singers to soap operas, this year's Audible Edge festival in Perth delivered more than a few surprises.
The Glass Menagerie review: it’s Tennessee Williams with biceps
This Melbourne Theatre Company production is one rambunctious take on Tennessee Williams' The Glass Menagerie.
Dracula review: a lingering kiss from the West Australian Ballet
This Dracula is a stylish interpretation of the classic and seemingly immortal gothic thriller.
In the Quiet review: Adelaide Symphony Orchestra premieres a superb concerto
With the world premiere of a blistering concerto and the Australian debut of a powerhouse young conductor, In the Quiet…
