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Retrograde review: Ngabo nails it as Sidney Poitier
Retrograde sees a persecuted Sidney Poitier fighting back against Joseph McCarthy's 'Red Scare' crusades in the USA.
The Birds review: ambition outflies execution in Belvoir's avian thriller
An Australian adaptation of Daphne du Maurier's 1952 gothic horror The Birds lands at Belvoir, with Paula Arundell taking on…
Pride and Prejudice review: Bloomshed’s satirical take is a perfect delight
With Mr Bennet played by a wilting houseplant, exaggeration is the name of the game in this hilarious production of…
The Drover's Wife review: Leah Purcell debuts her powerful new Australian opera
It's been a long wait, but Leah Purcell has finally brought her musical adaption of Henry Lawson’s famous short story…
The Shepherd’s Hut review: Tim Winton adaptation burns bright
Black Swan's stirring adaptation of The Shepherd's Hut is proof of the strength of Western Australian storytelling.
The Importance of Being Earnest review: a complete joy
Oscar Wilde’s battle of the sexes becomes a dazzlingly funny free-for-all in this gloriously gender-bent production.
Waitress review: all the ingredients but not enough time in the oven
Waitress the Musical makes a sweet Aussie debut with star Natalie Bassingthwaighte at the helm, but doesn't quite live up…
The Other Side of Me review: superb dance production is 'like riding a wave'
After debuting at the Darwin Festival, The Other Side of Me now travels to Sydney.
Game Set Match review: love all?
You may think Megan Wilding’s Malthouse debut – Game. Set. Match. – is all about tennis, but this is no…
Audible Edge review: a 'sublimely curated' festival of exploratory music
From throat singers to soap operas, this year's Audible Edge festival in Perth delivered more than a few surprises.
