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A Transgender Woman on the Internet, Crying review: dark, bold and playfully queer
Cassie Hamilton isn't afraid to take risks in A Transgender Woman on the Internet, Crying.
Messa da Requiem review: Queensland Ballet meets Verdi’s Requiem Mass
Verdi’s brilliant score is fused with movement and dance in Queensland Ballet’s Messa da Requiem – but it's not always…
The Phantom of the Opera review: Sydney Harbour production is 'dialled up to eleven'
This Opera Australia update of The Phantom of the Opera is a truly spectacular night out on Sydney Harbour.
Robyn – Sexistential review: horny, mature and strikingly candid pop music
Robyn said the purpose of her life is to stay horny. On Sexistential, she proves it.
Stage Kiss review: a 'wonderfully funny' and very meta farce at Sydney's New Theatre
With layered writing and strong performances, Stage Kiss is whip smart.
The Devil’s Violin review: ACO brings style and flair to a lively program
In The Devil's Violin, the ACO musicians showcase their strengths on stunning Golden Age instruments.
West Gate review: a flawed but powerful play about the loss of 35 lives
The collapse of Melbourne's West Gate Bridge is dramatised in this new MTC production by playwright Dennis McIntosh and director…
Gatz review: it’s The Great Gatsby (Jim) but not as we know it
Gatz, the acclaimed adaptation of F Scott Fitzgerald’s The Great Gatsby, returned to Australia for the Adelaide Festival.
Theatre of Dreams review: dance that channels such stuff as dreams are made on
Theatre of Dreams explored what happens when we close our eyes and drift away.
The CAN Principle review: Jonny Pasvolsky’s hilarious take on hope and can-do hucksters
In his one-man comedy act The CAN Principle, Jonny Pasvolsky shares a quick guide to 'can-lightenment'.
