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Cannon by Lee Lai lingers as a quiet and powerful work
Cannon, winner of the 2026 Stella Prize, is a reminder that exhaustion, obligation and the search for connection rarely fade…
Can this year’s Venice Biennale artists avoid politics amid protests and pavilion closures?
The protests continue to overshadow the art at this year’s Venice Biennale. Can its exhibiting artists really stay out of…
Craig Silvey has pleaded guilty to child exploitation – what do we do with his books?
Silvey is yet to be sentenced – but what we do with his books will be decided outside the court…
Wabi-sabi or sloppy? How to tell authentic from slapdash
In an age of artificial perfection, wabi-sabi is a refuge that offers lessons for embracing the human in art and…
Dennis Altman: UQP has cancelled a children’s book illustrated by Matt Chun, citing antisemitism
'As a writer, I do not believe we counter racism, antisemitism, homophobia or transphobia by boycotts and cancellations.'
Should we care about art at a time like this?
Are we all just fiddling while Rome burns, and what do philosophers have to say about the ethics of art…
ArtsHub job insights: the most in-demand arts jobs and salaries in 2025
Which arts professionals are in demand and which job ads are getting the most attention from job-seekers? See what our…
The Push unveils 10-year plan for young Australians and music
The Push's new national plan sets out a decade-long strategy to place Australian music on par with education, sport and…
Can these federal parliamentarians supercharge philanthropic giving to the arts?
The first hearing of the Federal Government’s inquiry into arts philanthropy revealed there is a lot to learn about the…
If we inhabited Deaf time our culture and planet would stand a chance
Could Deaf time – and 'crip time' more broadly – help counteract the so-called Great Acceleration?
