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Exit interview: Tim Munro, Theatre Royal, Hobart
After 17 years as CEO of Australia’s oldest continually operating theatre, Tim Munro is moving on. He reflects on his…
Craig McLachlan and workplace respect (from the archives)
McLachlan was accused of indecent assault in 2014 so the state’s previous laws were applied to the case. But what…
Theatre Review: Playthings, Black Swan and Blue Room Theatre
Moving from black box to main stage, Playthings delivers an overflowing schoolbag of revelations.
Performance Review: Meat Mirror, Anywhere Festival
This new feminist artwork by Brisbane-based artist Jay Younger and performer/choreographer Lisa O’Neill cleverly lures in the audience with comedy…
Know my name – and don’t forget it
Australian organisations join global campaign to recognise women artists, starting with an all-day intervention by the National Gallery of Australia.
Theatre Review: Taming of the Shrew, Queensland Theatre
An exquisitely timed, hilarious version of Shakespeare's classic play.
Reconciliation Week: Our country, Our future – Our shared responsibility
Embracing Aboriginal wisdom, culture and history, so we can call all work towards a shared future as custodians of this…
ICYMI: NSW $11.9M funding, NT Writers Festival dates and more
Sampa the Great to headline Vivid Live, Yarra Valley Writers Festival program, Bell Shakespeare on tour, plus more arts and…
Art Fairs are back: #IRL and international
With the announcement of gallery participation for Sydney Contemporary, we take the pulse on the art fair sector, and its…
A budget that risks flatlining our culture?
The arts got a passing reference in the Budget speeches this week but Esther Anatolitis couldn't see a vision for…
