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Tomorrow belongs to those who can hear it coming
Vivid Sydney 2018 has opened. Here’s our guide to the most valuable events for those working in the arts.
$1 million bequest will support music programs for families and children
Melbourne Recital Centre has received its largest bequest to date, and one of the most significant, from the Betty Amsden…
Review: The Bleeding Tree at Arts Centre Melbourne
Angus Cerini’s award-winning play is magnificent, horrific and remarkable.
Melbourne Festival to seek new artistic director for 2020
The current Artistic Director of Melbourne Festival, Jonathan Holloway, will step down from the role after completing his fourth festival…
Why Captain Cook remains a contested national symbol
Last week's budget allocated $48.7M to commemorate the 250th anniversary of Cook's landing at Botany Bay. But controversy over Cook…
Applause: latest success stories
National Works on Paper Prize shortlist revealed, Performing Arts WA Awards nominations, Mordant Family VR Commission announced, Australian Jazz Bell…
How to survive and thrive as an introvert in the arts
Do you prefer to listen more than you talk, deep conversation over small talk, solitude over parties – but sometimes…
Review: Mother’s Ruin A Cabaret About Gin
Despite its flaws, Mother’s Ruin is a hell of an enjoyable performance with a clearly talented ensemble.
Review: Troilus and Cressida at The Depot Theatre
Director Sean O’Riordan wasn’t wrong to describe Troilus and Cressida as a 'problem play'.
What sponsors want from the arts
Sponsorships are not philanthropic donations – they are business investments from which companies want a return. We ask major sponsors…
