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Where to now for the MPA Framework?
Revolution or evolution? With a survey of the Major Performing Arts Framework underway, AMPAG's Chair, Deputy Chair and Executive Director…
Applause: latest funding and awards announced
Winner of Kilgour Prize 2018 celebrated, MTC's subscriber record, Woollahra Small Sculpture Prize finalists revealed, 2019 SALA Festival featured artist…
Review: James Morrison with WASO, Perth Concert Hall
Great melodies from the 1920s to 1950s delivered by master musicians in this spectacular show: The Great American Songbook.
Review: Jasper Jones, QPAC
Queensland Theatre’s energetic production is playful, inventive and engaging, but ultimately struggles to find the balance between a coming-of-age drama…
Why a new code of practice is important for the arts
In our uncertain, unethical times, a code by which artists and organisations can conduct business and their art practice is…
Review: Hotel Sorrento, Riverside Theatres
A thoughtful production of this great Australian play.
Review: Reg Livermore The Widow Unplugged, Ensemble Theatre
Stage icon Reg Livermore divides audiences with his new production.
Career spotlight: Lighting designer
Creating mood, shifting emphasis, painting with light: the art of the lighting designer is a subtle one. Here, three successful…
On the move: the latest appointments and resignations
New Patron for QL2; a marketing manager for Yirra Yaakin; new dancers at WA Ballet and Head of Private Sales…
'The MPA framework does more harm than good'
The majority of the Major Performing Arts companies offer up 'a cocktail of timidity, mediocrity, heritage, and tourist arts’, said…
