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Review: Dracula, West Australian Ballet
From scenes of horror and violence to exquisitely tender moments, Dracula the ballet is a triumph.
Review: Ich Nibber Dibber, Malthouse Theatre
Funny, funny feminism from post theatre.
6 writing techniques to engage your online audience
A common problem faced by creatives is whether their online message cuts through to the intended audience. We asked a…
On the move: the latest appointments and resignations
New CEO for Adelaide Central School of Art, TSO announce new Chief Conductor, Chamber of Arts and Culture WA appoints…
Truly a Powerhouse: Brisbane focus helps set new records
By focusing on the ‘Brisbane’ in Brisbane Powerhouse, the unique arts centre has smashed records in ticket sales, attendances and…
Jan Müller on how a sound and film archive can be relevant
A year in, ArtsHub speaks with the National Sound and Film Archive’s new CEO on how exhibitions and digitisation are…
Shock as arts budget slashed in South Australia
The sector is facing a $4.9 million reduction in funds in 2018-2019, including the dismantling of Arts South Australia. Requests…
Review: Blasted, Merlyn Theatre
A primal scream from the depths of hell in the face of our complacency.
Review: A Midsummer Night’s Dream, Pop Up Globe Sydney
Boisterous rollicking entertainment.
Creating entry points for non-arts audiences
Converting the general public into arts lovers is everyone’s responsibility, and it’s an area in which festivals, with their range…
