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Rehearsing intimacy after #MeToo
Fight directors coordinate fight scenes in theatre, and choreographers assist with movement sequences. Why shouldn't sex scenes also be carefully…
Review: Xenides, Studio Underground, State Theatre Centre WA
This devised mix of musical theatre, witty confessionals and thoughful social critique engages, but lacks a consistent thread to convincingly…
On the move: the latest appointments and resignations
New director of MAAS, new Associate Producers at ILBIJERRI, sudden dismissal of YIRRAMBOI Creative Director, and more.
Critics savage King Kong on Broadway
The massive star of the show, a 2000 pound and 20 foot high puppet, gets rave reviews, the songs and…
Nginha ngurambang marunbunmilgirridyu: I love this country – but do you?
Jonathan Jones’ Artstate keynote talk offered fresh pathways forward in our complex colonial conversation.
How stage and screen professionals can help reduce suicides in Australia
Evidence suggests that the dramatic portrayal of suicide can impact on vulnerable audiences, including contributing to increases in copy-cat incidents…
Review: The Climbing Tree, Bathurst Memorial Entertainment Centre
A touching and poignant drama about Bathurst as both a material and imaginative sphere. It is a complex and profound…
Review: Freud’s Last Session, Seymour Centre
There is some truly marvellous acting in this detailed and precise production.
The turgid trajectory of sculpture in education
An international panel at the Sydney Sculpture Symposium asked whether our education system is failing sculpture.
What it really takes to juggle an arts organisation with family life
The director of Wellington's LitCrawl, Claire Mabey, reflects on what a family-friendly arts organisation might look like.
