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Review: David Williamson’s The Club, Belvoir
With an engrossing story, shrewd female perspectives, complex shed debrief and some excellent physical comedy, including moustache work, The Club…
Why Ned Kelly’s story has enduring artistic appeal
He bestrides the Australian cultural landscape like a colossus; the iron-clad outlaw whose name is both revered and reviled.
Why art is indivisable from life
Art is not a luxurious extra, it's a necessity, writes Johanna Knox.
Applause: latest funding announcements and awards
2018 Kate Challis RAKA Award recipient celebrated; 2018 Gloria Payten and Gloria Dawn Foundation Fellowship recipients revealed; longlist announced for…
Why an arts degree is now a must-have asset in the workplace
Once considered to be of low value, a Bachelor of Arts is now increasingly important to employers due to the…
Exit interview: Natalie Weir, Expressions Dance Company
After 10 years as Artistic Director of Expressions Dance Company, Natalie Weir reflects on her time at the company as…
Review: Evita, Arts Centre Melbourne
Broadway legend Hal Prince has recreated his original 1978 production of Tim Rice and Andrew Lloyd Webber’s Evita starring local…
What millennials are looking for in a workplace
Researcher Rocky Scopelliti has collected insights from 30,000 millennials world-wide. He takes a close look at this generation’s influence in…
Review: Dubboo – Life of a Songman
Actor, artist, activist, songman – Dubboo is a shining tribute full of warmth and affection for a much loved complex…
Review: Christmas Actually, La Boite
A vibrant fun-filled night of song hits from the Love Actually film soundtrack along with comedic puns from writers Adam…
