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Automated plagiarism: Furore over ‘computer’ winning art prize

Turf wars between artists and AI generators - a topic that is the tip of an iceberg worthy of a…

Evasion Score II (Domestic Security), 2021. Image: Roslyn Orlando
Features

Digital intimacies and echoes in space

Roslyn Orlando's work explores connection and togetherness in the digital realm.

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Festival that makes the digital a physical experience

BLEED ‘22 stages its second iteration in a hybrid model to examine what digital works can teach us about physical…

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What’s streaming in September 2022: Australian guide

What's streaming in Australia this September? We've got you covered.

Features

How a life at NIDA helped shape Australian talent

In his new memoir, An Eye for Talent: A Life at NIDA, former Director John Clark remembers the institution and…

Features

Olivia Newton-John remembered: an icon of screen and music

She was a rare performer who found success exploring many facets of her talent, writes Catherine Strong.

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Curator, gallerist and educator: a platform for decentralised art

The Web3.0 art space is far from being a decentralised utopia. ArtsHub examines the role that Culture Vault plays in…

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Gaze and gesture: the power of moving portraits

An Adelaide-exclusive exhibition of Robert Wilson’s video portraits explores the movement that lies in stillness.

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Does changing the score change a film? Hear My Eyes with Haydn Green

Whether it's a cerebral thriller or a sensory drama, Hear My Eyes is determined to change the film-going experience to…

A hand silhouetted against smoke and gum tree leaves.
Features

Some practical steps to truth-telling in museums

Calls for First Nations truth-telling are growing louder in Australian politics. What does that look like within the museum sector?

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