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Review: Jesus Christ Superstar, Riverside Theatres
With attention to detail, historical research and the assembling of a skilled company, this Jesus Christ Superstar is respectful, dramatic…
Review: A Family Outing – 20 Years On, Perth Festival
Twenty years after performing alongside her parents, Ursula Martinez revisits the conceit after her father's death and as her mother…
Review: MTC’s The Lady in the Van, and Malthouse's Barbara and the Camp Dogs
Melbourne’s two major theatre companies open significant productions a night apart, and never has the contrast between the companies been…
Kip Williams on love and LGBTQI+ storytelling
A special panel discussion at NIDA will put LGBTQI+ storytelling and representation centre-stage this Valentine’s Day.
ICYMI: this week’s arts news in brief
Records tumble at Arts Centre Melbourne, new leadership program announced in regional WA, festival winds up, latest program announcements, and…
ArtsHub and Screenhub appoint George Dunford as new Content Director
Dunford has had a wide-ranging career in digital leadership, and will be relocating from Canberra to Melbourne to take up…
Review: The Wolves, Belvoir
The most powerful aspect of The Wolves is the dissonance between admiring the physical skills and focusing in on the…
Review: The Rise and Fall of Little Voice, Darlinghurst Theatre Company
A production designed with care and featuring performances pitched to bring the audience into the cacophony that fills the silences…
Applause: Latest funding and awards announced
tidal.18 award winner announced, Dancenorth's Artistic Director wins 2019 Arts and Culture Award, plus Manus Island detainee wins Vic Premier's…
Review: Become the One at Gasworks, Midsumma Festival
A tragedy representative not only of queer athletes and their partners but of the Australian Football League's persistence in modelling…
