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New $5m cultural precinct opens in central Hobart
Occupying almost an entire city block, the new precinct represents a significant partnership between private developers and DarkLab, a subsidiary…
Disability access versus disability-led?
Our greatest hurdle today is recognising the shift needed from disability access and awareness, to disability-led and employment.
Review: Herbie Hancock, Riverside Theatre (WA)
A little less flash would have improved this concert from the Grammy-winning jazz pianist.
Review: End of the Rainbow, Adelaide Cabaret Festival
Helen Dallimore captures the complexity of Garland’s character in a stellar performance.
Review: Gershwin Reimagined, Melbourne Symphony Orchestra/MIJF
Laura Mvula’s spectacular performance transcends the score while still paying respect to Gershwin’s original intentions.
Review: Escaped Alone, Red Stitch Actors Theatre (VIC)
This is a lean, whip-smart play, about hope and community, private anguish, and terrible rage.
Busting opera wide open: the Pinchgut revolution
Ditching the curtain, delivering surpluses, and winning international awards, Pinchgut is a young company changing the face of opera in…
Review: Lonnie Holley, Melbourne Recital Centre/MIJF
The sculptor-turned-singer’s free-flowing compositions defy categorisation.
Review: The Spooky Men’s Chorale, Civic Theatre Newcastle (NSW)
They’re like a choral group that does really funny political commentary and jokes about masculinity.
Turning our phones off for creative inner health
Author Sebastian Smee, musician Holly Throsby and tech psychologist Jocelyn Brewer agree when it comes to switching off to embrace…
