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Three SA industry bodies collaborate to escalate tourism engagement
Recognising that SA businesses and adjoining industries benefit from festivals and cultural attractions, a new cross-industry alliance with tourism aims…
Saxism or Sexism? Gender diversity in the classical saxophone community
The classical music sector has long been dominated by men, a situation only amplified for classical saxophonists. The sexism in…
New theatrical collaboration offers bespoke digital experiences for kids
A new collaboration between Windmill Theatre Co and the innovators behind a purpose-build app has resulted in an immersive theatrical…
The year that was: COVID and the arts a year on from lockdown
From digital pivots, to government funding (or lack there of), to conversations and resilience – we take a look at…
Opportunities and Awards Wrap: New Varuna award and Kat Muscat fellowship winner
2021 Fogarty Literary Award now open, Kat Muscat Fellowship recipient announced, Varuna launches new fellowship program for writers with disability,…
A place for ‘wondrous things’: new arts precinct Collingwood Yards opens to the public
Melbourne’s newest cultural precinct, Collingwood Yards, has opened to the public after a long gestation.
Ask the Mentor: I've forgotten how to network in real life
Online conferences were great for shy people, but now in-person events are back. Brush up on your social skills and…
Eroding our culture: how the Australian arts have been slowly undermined
How have the arts lost their importance? Looking back over some of Currency House’s 62 previous Platform Papers, the outgoing…
Music Review: Exotic Strudel, Selby and Friends
A joyous celebration of one hundred years of the piano trio.
Theatre Review: Triple X, Queensland Theatre
A brave and bold exploration of identity politics.
