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Geraldine Quinn - Sunglasses at Night: The 80s Apocalypse Sing Along Cabaret
Quinn’s commentary simultaneously mocks and celebrates the stilted pretension of 80s music, clothes, clips and hits.
Melbourne Cabaret Festival: Les Femmes
In a jaunt back to old Chicago cabaret Les Femmes is a promising yet flawed celebration of the many facets…
What the arts can learn from advertising
There is so much more to effective advertising than telling people to come and see a great show.
Live performance revenue bigger than film and television
The best new data on Australia’s performance sector in many years shows a healthy industry with revenue close to that…
Fear of Low Expectations
Emerging choreographers should offer more than old-school tricks. Perhaps the Australian Ballet is just too comfortable.
Adelaide Festival Centre bows to commercial imperatives
The last bastion has fallen, driving up ticketing costs.
SYNAESTHESIA+ to excite the senses
Only one in 2000 people experience the sensory phenomenon of synaesthesia but anyone can get a taste at SYNAESTHESIA+
Bach in the dark
The Tasmanian Symphony Orchestra will play Bach chorales in complete darkness during SYNAESTHESIA+.
Soprano sends in the clowns at MONA
Alison Bell will present Pierrot Lunaire at the Museum of Old and New Art (MONA) during SYNAETHESIA+.
Orchestra to play the architecture
Matthew Hindson's new commission will resonate with the MONA building both literally and figuratively at SYNAESTHESIA+.