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How to strengthen a fragile arts ecology
In smaller cities, the departure of key individuals can send shock waves through the local sector, while the loss of…
Review: Dvorak’s Symphony No 6, Sydney Opera House
An exhilarating, muscular performance.
So you want my arts job: General Manager
With over 25 years experience in the sector, why does Theatre Works' Dianne Toulson think the title 'General Manager' is…
NSW Minister delivers $871m for the State
A 22% increase in recurrent funding for arts, screen and culture has been announced today as part of the 2019-2020…
Review: Paper and Place, Gosford Art Gallery (NSW)
A sensitive and erudite two-person exhibition that digs deep into history, and yet finds contemporary currency through the medium of…
Applause: Latest awards and celebrations
Matt Tarrant Emerging Performers Grant recipient named, Bong Joon-ho takes out prestigious Sydney Film Prize, John Oxley Library Fellowship announced,…
Review: Only the Penitent Shall Pass, Rosny Farm (TAS)
Swiss dancer Nicole Morel delivers tactile engagement with Andrew Hustwaite’s installation.
Review: Almost, Maine, Meat Market Stables (VIC)
A lightness of touch from Between The Buildings does great justice to playwright John Cariani’s vision.
Review: James Drinkwater, Newcastle Art Gallery (NSW)
From a Kenyan schoolyard, to making art on Berlin's streets, to Newcastle's sea pools, this exhibition reminds us that everything…
Review: The Return of Ulysses, Pinchgut Opera (NSW)
Pinchgut Opera once again delivers a triumph in a minimal production of a rarely performed opera.
