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A dancer stands posed, arms outstretched and slightly crouched. She holds an arrow in her teeth. Behind her is a dramatic, green-tinted photograph of the sun depicting several solar flares.
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Dance review: Arkadia, RISING Festival, The Substation

An imaginative dance opera by choreographer Melanie Lane.

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Performance review: Romeo & Juliet Suite, Sydney Opera House

Depending on which night you attend, the roles of Rome and Juliet will be played by three separate couples.

RISING. Against a burning sun going down two figures that look like prehistoric monsters or dinosaurs face off. But are they just performers in flowing costumes?
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Performance review: ANITO, RISING Festival, Arts House

Costume, puppetry, drag, dance and experimental electronic music combine to interrogate colonial wrongs.

RISING: A group of three First Peoples and a Caucasian man performing in a rock band with an arch of stage lights behind them. Two are playing guitars, the lead singer is standing on a packing case and one is waving drum sticks.
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Performance reviews: RISING Festival, first weekend

RISING Festival is now off and running. Here is ArtsHub's round-up of the performing arts offerings on the first weekend.

‘Club Vegas: The Spectacle’. Photo: Supplied. A group of six performers on stage in extravagant purple body suit and feather on top of their heads on the stage with spotlights on them.
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Performance review: Club Vegas: The Spectacle, Athenaeum

All the ritz and glitz of Vegas in this variety show.

A dramatically lit photograph of the cast members from the 2024 Australian production of 'Sunset Boulevard', shown in the decaying Hollywood mansion of faded star Norma Desmond.
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Musical review: Sunset Boulevard, Princess Theatre

A woefully miscast Sarah Brightman derails this production of Andrew Lloyd Webber’s musical, which also features some baffling directorial choices.

Ride the Cyclone. On a dark stage a group of young school uniform clad people group around a young man who has a green halo around him. Surrounding all of them is a circular ladder like piece of design.
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Musical review: Ride the Cyclone, Hayes Theatre

A Canadian hit musical makes its Australian debut.

Priscilla Queen of the Desert. A couple of drag queens and a transwoman stand on stage in front of an orange backdrop and a prop bus. They are in extravagant costumes and are holding hands.
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Musical review: Priscilla Queen of the Desert – the musical, Mandurah Performing Arts Centre

This accomplished jukebox musical served as a reminder of how far society has (and hasn’t) evolved. 

VIVA. Elegant. In front of shiny red curtains, four female dancers pose on the stage, three downstage and one on a higher platform. They are all dressed in burlesque costumes, including thigh high boots.
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Performance and venue review: Elegant, VIVA

Melbourne has a new cabaret venue that offers food and drink as part of its entertainment offering.

The Australian Ballet. Circle Electric. Bathed in a red glow a troupe of ballet dancers are assembled beneath a large neon hoop. The dancers are eclectic and in all sorts of shapes, one is held aloft surrounded by smoke.
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Dance review: Études/Circle Electric, Sydney Opera House

A double bill of dance that canvasses contemporary and classical works.

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