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Fiddler on the Roof review: this joyous production pulses with life
Fiddler on the Roof, at Theatre Royal Sydney, somehow manages to be the show we need right now.
Funeral Flowers review: a one-woman masterpiece at Red Stitch
Lucy Ansell delivers a knock-out performance in Funeral Flowers, a Scotsman Fringe First-winning play by British playwright Emma Dennis-Edwards.
Mackenzie is more than a teen-pop twist on Macbeth – it's a test for Australian theatre
By betting on Mackenzie, Yve Blake's Y2K-inspired adaptation of the Bard’s darkest tragedy, Bell Shakespeare wagers that the classics still…
Uncle Vanya review: Chekhov's classic gets a barnstorming update
This Melbourne production of Uncle Vanya ups the laughter without losing sight of the class divide that fuelled Chekhov’s work.
Grey Gardens review: the strange story of the cult documentary turned musical
This Melbourne production is for fans of hidden musical theatre gems and admirers of the original Grey Gardens documentary.
Gunawarra Re-creation review: an astonishing reframing of creation myths
If you missed Gunawarra Re-creation a couple of years back, Ilbijerri is remounting Isobel Morphy-Walsh’s powerful work for NAIDOC Week.
Artists from the Asia Pacific stand out at international theatre festival
Of more than 30 theatre shows at this year's Theater Der Welt festival in Germany, these three productions from the…
Eddie Izzard’s Hamlet review: what a piece of work!
Suzy Eddie Izzard says it’s a particularly audacious time for a trans woman to be touring a one-person production of…
Losing Face review: sloppy, shallow and unfunny
Marieke Hardy’s Losing Face, now playing at MTC, is a soggy satire has no clue what its trying to say…
House of Rot review: decadent but divine dilapidation
Paul Capsis and Adam Noviello bring big performances and excellent pipes in House of Rot.
