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O,D, E review: Sage J Harlow's experimental opera about Orpheus & Eurydice thrills
O,D,E, based on the Ancient Greek story of Orpheus and Eurydice, is a treat for the soul.
On the move: latest arts sector appointments
Your weekly round-up of Australian arts sector appointments.
The Object Lesson review: Thomas Demand's AGNSW exhibition absorbs
The Object Lesson at AGNSW places Demand in the role of a curator instead of highlighting his own works.
The Magic Flute review: a first-of-its-kind opera collaboration in Adelaide
State Opera South Australia’s The Magic Flute is opera for our times.
Best opportunities, grants and awards for creatives: 1-7 September 2025
Drawing prize open for entries, grants available for festival ideas that celebrate older people’s creativity and more opportunities.
No Dancing in the Lift, Mandy Sayer review: a vivid memoir
Sayer's No Dancing in the Lift paints an intimate portrait of an unconventional childhood.
Speaking in Tongues review: Bovell's script comes alive in Black Swan's hands
Speaking in Tongues by Black Swan somehow manages to be funny, serious, flippant and profound.
Ryoji Ikeda review: 2025 Now or Never’s spirit captured in this sonic-visual masterpiece
Blinding light and digitally synthesised ‘noise’ rattle the body and open a portal to another universe.
How NIDA’s MFA (Cultural Leadership) is helping Merindah Donnelly change the arts sector for the better
The BlakDance Executive Producer and Co-CEO says studying and analysing different forms of cultural leadership at NIDA has had significant…
Athlete-turned-artist wins one of Australia’s most lucrative art awards worth $100k
Sophie Cape was once destined for the Olympics, but now she has brought that raw energy to her art –…
