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'The Door in Question' is part of Sleepless Footscray Festival. A moody and atmospheric photograph of a person wearing a white VR headset; they are framed by a window, making us feel almost voyeuristic as we look at them. Behind the seated figure are sheets of paper stuck on the wall, including old pages and photographs from a book.
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Immersive review: The Door in Question, 47 Paisley St, Footscray

A heady mix of VR, interactive AI and immersive theatre take over a series of empty rooms and suburban streets…

Help young people flourish and thrive as artists, while taking your own passion for the performing arts in a new direction as a Stagecoach Performing Arts Australian franchisee.
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5 reasons why running your own performing arts school might be your best career move yet

Channel your love for the performing arts in a new direction, and nurture the creative dreams of the next generation…

A scene from STC's 2025 production of Beckett's 'Happy Days'. A woman with her bottom half hidden in a mound of dirt. There's a black plastic bag next to her, and on her other side is man with his back to us, holding up a newspaper. He too is visible only from his waist up.
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Theatre review: Happy Days, Wharf 1 Theatre, Sydney Theatre Company

Lead actor and co-director Pamela Rabe shines in this staging of a classic Samuel Beckett play. 

Two panels. On the left is a blonde woman wearing black. On the right is the cover of ther book 'Always Home, Always Homesick.' It features mountain ranges in shades of mauve.
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Book review: Always Home, Always Homesick, Hannah Kent

Hannah Kent's first non-fiction book retreads the grounds of her Iceland-set bestseller, 'Burial Rites.'

Two young boys in a vehicle made out of spare parts play as part of the DreamBIG Children’s Festival's Big Weekend at Adelaide Festival Centre.
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Festival review: DreamBIG Children's Festival BIG Family Weekend, Adelaide Festival Centre

The DreamBIG Children’s Festival celebrated 50 years of inspiring children’s imaginations through art.

A man with grey beard and hair and wearing a lime shirt under a dark waistcoat is sitting at a table in front of a typewriter. Other random objects surround him including a fan.
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Performance review: Whalebone, Adelaide Festival Centre, DreamBIG Children's Festival

A show that explored the impact of technology while celebrating human creativity.

'Threshold' (2025) by Angel is part of the exhibition 'A Narrow Strip Along a Steep Edge' and is described by this reviewer as an artwork 'which put a physical form to fear'.
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Exhibition review: A Narrow Strip Along a Steep Edge, Fort Lytton, Brisbane

An artistic activation of a Victorian-era fort in Brisbane could signal a passing of the (avant) guard.

A photograph of a woman running, tajen from a low angle, with the focus being on her shoes and legs.
News

On the move: Latest arts sector appointments

Our weekly round-up of appointments and departures in the Australian arts sector.

A black and white photo of a woman facing a round mirror with one hand covering her face.
Career Advice

5 ways to beat imposter syndrome

Anxious and self-sabotaging your career because you don't think you're good enough? Here are some tips that may help.

Alison Neville, Production Manager, Spiegeltents International; Director, Spiegeltents Australia, and Head of Operations and Production at The Garden of Unearthly Delights. The black and white photo shows Neville wearing a greay t-shirt, and looking off to the right while smiling. She is a fair-skinned female-presenting person with short dark hair and wearing a simple silver necklace and a watch on her left wrist. The digitially altered photo has a blue background, with white text saying 'so you want my arts job?' superimposed over it to Neville's right.
Career Advice

So you want my arts job: Alison Neville, Director, Spiegeltents Australia

Alison Neville is Production Manager, Spiegeltent International; Director, Spiegeltents Australia, and Head of Operations and Production at The Garden of…

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