Australia
Short term contract, long-term exhaustion
Working on the festival circuit is like a fairground ride: fast paced and exhilarating, but also exhausting and hard to…
What it takes to be a cultural leader in the arts
We speak to two soon-to-be graduates who studied a Masters in Cultural Leadership at NIDA to find out what it…
Powerhouse Museum’s contentious Parramatta relocation confirmed
Moving the Powerhouse Museum from the inner city to Western Sydney will cost $645 million, and may split the collection…
Fringe artists owed $200,000 after events company goes under
Despite apparently receiving all ticketing income owed from Fringe World in March, events management company JumpClimb has not paid artists…
Industry responds to ArtChain: is it all tech hot air?
ArtsHub spoke with a gallerist and an artist to get their opinion on whether the blockchain revolution will significantly impact…
On the Move: the latest appointments and resignations
Sydney Opera House appoints a new Head of Programming; the MSO loses its Director of Artistic Planning; Tasdance appoints five…
Private collectors can't save Australian art on their own
Will the likes of Buxton Contemporary, Tarra Warra, White Rabbit and MONA sustain contemporary art development in Australia as funding…
Review: Bruckner Symphony No 4 ‘Romantic’ and Wagner Lohengrin Prelude – Gewandhausorchester
The second instalment in Andris Nelsons’s fine new Bruckner Cycle.
How to design a website that will last 100 years
The need to think beyond our own existence doesn't often apply to digital design, which moves and changes quickly in…
Review: Personal at Art House
This multi-language solo performance by artist Jodee Mundy sheds light on a diverse community and should be incorporated into the…