Performing Arts
Why you need courage – not talent – as a creative
Forget talent, luck or even confidence – it may be courage that determines your aptitude for success in the creative…
Review: One Way Mirror by subtlenuance
In One Way Mirror ‘experimental theatre’ takes on an entirely different meaning – upending the customary roles of performers in…
MSO – Mahler 9
The MSO’s excellent Cycle of Mahler’s symphonies continues with the composer’s large-scale and heart-wrenching farewell to life and its torments.
Review: Kiss Me Like You Mean It
What appears at first glance to be an exuberant sexual comedy gradually gives way to something darker in this play…
On the move: the latest appointments and resignations
Enterprise Professor for VCA named, board movements at AMIN and MSO, and new Executive Producer at Terrapin Puppet Theatre.
Review: The Carbo Trio at The Independent
A most exciting concert combining guitar and voice.
Riccardo Chailly | Igor Stravinsky
A deeply satisfying all-Stravinsky CD of live recordings released by Decca in January
Help shape the sector's future health initiatives
Australian entertainment industry professionals are invited to participate in a new survey which will help shape future programs tailored to…
You must treat female artists with respect
An open letter to the classical and orchestral sectors about the mistreatment of female artists.
15 ways to stop comparing yourself to others
Creatives share their insight into how social comparison can impact our work, offering advice to help us change this behaviour.