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A man in a grey suit and a woman in a red dress are sitting apart on a park bench.
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Theatre review: Heaven, Loading Dock Theatre, Qtopia Sydney

Kate Gaul directs the 2023 Irish Times' Best New Play at LGBTQIA+ museum and cultural centre, Qtopia Sydney. 

An elderly man sitting on a bed. He's wearing a grey robe. The bed too is grey as is the background. The actor is Max Gillies, performing a scene from 'Endgames', a trio of short modernist plays or play extracts at Melbourne venue fortyfivedownstairs.
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Theatre review: Endgames, fortyfivedownstairs

Three short works from modernist playwrights Chekhov, Beckett and Hibberd.

Three women wearing aprons stand in the middle of a kitchen making passata. There are boxes and trays of tomatoes around. A scene from Brink Productions/STCSA's 'Looking for Alibrandi'.
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Theatre review: Looking for Alibrandi, Adelaide Festival Centre

Melina Marchetta’s much loved book about migrant families in Australia is brought to life on stage.

Four women standing with their hands on their hips. A scene from 'FEMME PLAY [ungrateful slut]', now showing at The Butterfly Club.
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Theatre review: FEMME PLAY [ungrateful slut], The Butterfly Club

Judy Doubas’ latest play illuminates women’s roles in contemporary society.

A dark-skinned woman on all fours, grimacing in the dark.
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Performance review: The Birds, Malthouse Theatre

This adaptation of 'The Birds' sticks far more closely to Du Maurier's tale than the Hitchcock film.

A boxer in silhouette.
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Theatre review: Shadow Boxing, Explosives Factory

A remount of a production needs more signposting about the era.

Two female-presenting actresses with dark hair in dark maid costumes stand stoically behind a blonde, female-presenting actor who wears a dress in a light-coloured fabric.
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Philosophy, pleasure and pain: Genet's The Maids at The Street Theatre

Caroline Stacey explains why she has chosen UK playwright Martin Crimp's translation of 'The Maids' for Canberra audiences.

A pushbike on the left of the stage. On the right is a person dressed as a stork in yellow pants and a white ruffly top. A scene from Antipodes Theatre Company's 'Storked' at Theatre Works.
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Theatre review: Storked, Theatre Works

The politics of pregnancy from a queer perspective.

A blonde woman in a white top and black pants is standing near a clock that says 1978. A man is sitting on a brown couch and behind him is another man standing in the distance. A scene from Thursday’s Child Theatre's 2025 production of Harold Pinter's 'Betrayal'.
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Theatre review: Betrayal, Chapel off Chapel

Harold Pinter's classic play is still relevant decades later.

Ensemble in various period costumes from 1927 dancing on stage in Cloc Musical Theatre's 'Nice Work If You Can Get It'.
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Musical review: Nice Work If You Can Get It, The National Theatre

Socialites and bootleggers jive to the songs of George and Ira Gershwin.

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