Reviews
Griffith Review #45: The Way We Work
Griffith Review devotes its 45th edition to the pressing questions and emergent challenges of the day within the prism of…
Thérèse Raquin
Gary Abrahams is proving a fascinating director with his never-ending ability to surprise.
The Night Larry Kramer Kissed Me
Although boasting fantastic performances and tight direction, this play is let down by its zesty but somewhat dated script.
Nora
It’s not surprising that this opening night started with a full house and ended with a significant reduction of patrons.
Synaesthesia+
A two-day sensory wonderland overtook MONA during Synaesthesia+.
Threefold: Webber / Hill / Huang Yi
These dancers and the choreographers are accomplished artists, adept in portraying our deepest and innermost feelings.
Hard Core on the Fly: #2
In the second performance of a month-long residency, the musicians explored ideas, textures and philosophies of sound.
The Seagull
A production that has lost its path between tradition and innovation.
Constellations
Payne's script is ingenius, with snappy dialogue and compelling characters; Palmer puts in one of the performances of the year.
The Girl Who Forgot to Sing Badly
The adventure embraces sadness, tragedy – and, aimed at over six audience, ‘bloody’ gore – in an entire theatrical experience.