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Drive Your Plow Over the Bones of the Dead review: a long slog with flashes of brilliance
Drive Your Plow Over the Bones of the Dead is a bloated beast of a play – but not without…
On the move: latest arts sector appointments
This week’s arts sector appointments include a new CEO for Darwin’s AANT Centre.
The Last Ship review: Sting performs his 'deeply personal' musical in Brisbane
Sting’s childhood-inspired musical The Last Ship is a beautifully crafted, well-realised story of defiance tempered with hope.
Maitreyi Karanth – Maitriarchy review: boldness and bravura in action
Maitreyi Karanth has been doing stand up for less than a decade but has the stamina and delivery of a…
Anisa Nandaula – No Small Talk review: TikTok star continues her rise at MICF
A Ugandan by way of Queensland, Anisa Nandaula is one to watch.
What women are choosing instead of ‘lean in’ – and why it matters in the arts
Author and speaker Megan Dalla-Camina says women in the arts are reframing how they think about ambition and success.
Performing Lines Tas at 20: 'For the survival of the human race, arts and culture are medicine'
As Performing Lines Tas marks a milestone, what will it take to secure Lutruwita’s cultural future for artists, producers and…
The Paradise Pact by Anita Heiss review: a beach read with a backstory
Heiss' The Paradise Pact is a holiday read with history lessons woven into every page.
Melbourne’s ACMI to stage world-first Bluey exhibition in 2027
The major Bluey exhibition will offer a behind-the-scenes look at the iconic Australian franchise.
Lou Wall – Where Are All the Tall Grandmas? review: 'warm, mischief-tinged energy' at MICF
Lou Wall’s mission to find tall old ladies takes unexpected turns at the Melbourne International Comedy Festival.
