Sydney
Review: Marjorie Prime at Ensemble Theatre
This play opens with some promising questions but ultimately its answers are simplistic and outdated.
Review: St. Vincent at Carriageworks for Vivid Sydney
St. Vincent can carry a 500-strong audience on the voice alone, but the guitar is a hell of a bonus.
Review: Bangarra's Dark Emu at Sydney Opera House
There is no single hero in Bangarra, despite there being plenty of heroism.
Review: Molière's The Hypochondriac at Eternity Playhouse
In this new vibrant translation by Hilary Bell, Molière's play is given a sharp updated revival.
Review: Prelude in Tea Concert by The Muffat Collective
A glorious concert of luscious Baroque music.
In Hindsight: Janet Clayton
As gallerist Janet Clayton closes up shop after a decade, ArtsHub talks with her about the future of shop front…
$1 million gift for Sydney’s Museum of Contemporary Art
In an innovative approach to philanthropy, the MCA has received a promised bequest that will be invested in sustaining future…
Review: Mother’s Ruin A Cabaret About Gin
Despite its flaws, Mother’s Ruin is a hell of an enjoyable performance with a clearly talented ensemble.
Creative sector representatives join panel to revitalise Sydney's nightlife
Improving Sydney's nightlife after the NSW Government's lockout laws is on the agenda, with a new panel formed to help…
Yvette Coppersmith's self-portrait wins the 2018 Archibald Prize
Of the 57 finalists, 41 are of sitters from the art world, either self-portraits, portraits of other artists, or portraits…