Australia
ACMI hits the yellow brick road to visionary tomorrow
The Victorian Labor government puts almost $40m into transforming ACMI, in its last budget before an election. The redevelopment will…
Australian gallery embraces the Airbnb of the art world
CONDO brings visual art out of the clinical white art fair booth and back into the gallery space through a…
How ArtChain will revolutionise the art market
The art world is embracing blockchain technology but what is this global trend? And why is this Australian innovation leading…
Review: James Ehnes as part of 2018 Great Performers Series
An exceptionally fine performance successfully proposing that ‘less is more’. Presented at the Melbourne Recital Centre.
Review: The Flick at the Seymour Centre
This play is a masterclass in how to pace a drama. Outhouse Theatre’s adaptation of Annie Baker’s The Flick is…
Melbourne celebrates 35th annual Green Room Awards
The peer-judged awards recognise excellence in the performing arts on Melbourne stages in 2017.
It’s now official: Nick Mitzevich to head up NGA
The son of a Hunter Valley farmer will lead Australia's top visual arts institution into its future. Who is Nick…
'Standing room only': Bundanon at critical turning point on 25th anniversary
We remember Arthur Boyd’s vision for Bundanon to see ‘acres of people’ enjoying the intersection of art, life, landscape and…
Review: QSO – Faure Requiem
A celebration of the beauty and persuasive power of the voice and the infinite sonic possibilities of instrumental and choral…
Review: Evacuation by Raphaël Jerusalmy
There are many layers to this excellent short novel published by text Publishing.