Australia
Truly a Powerhouse: Brisbane focus helps set new records
By focusing on the ‘Brisbane’ in Brisbane Powerhouse, the unique arts centre has smashed records in ticket sales, attendances and…
Review: Blasted, Merlyn Theatre
A primal scream from the depths of hell in the face of our complacency.
Jan Müller on how a sound and film archive can be relevant
A year in, ArtsHub speaks with the National Sound and Film Archive’s new CEO on how exhibitions and digitisation are…
Review: A Midsummer Night’s Dream, Pop Up Globe Sydney
Boisterous rollicking entertainment.
Shock as arts budget slashed in South Australia
The sector is facing a $4.9 million reduction in funds in 2018-2019, including the dismantling of Arts South Australia. Requests…
Review: The Apology by Ross Watkins, UQP
The Apology is about thwarted homosexual desires, family problems, and the ease with which a reputation can be damaged.
Applause: latest funding and awards announced
Don Dunstan Foundation Our Mob Emerging Artist Prize winner revealed, 2018 Sidney Myer Creative Fellows announced, and more.
When the hustle gets hard, let the hustle inspire the art
The hustle of being an artist, or any type of creative for that matter, can at times become all too…
Review: American Masters 1940-1980, NGA
The National Gallery of Australia had one of the largest acquisition budgets in the world in the 70s. A new…
Creating entry points for non-arts audiences
Converting the general public into arts lovers is everyone’s responsibility, and it’s an area in which festivals, with their range…