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Review: Jason Wing and Nicole Welch, Glasshouse Regional Gallery

Two exhibitions with a very different tone, both focus on similar contested relationships to land, but derive from a different…

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Have your say on the formation of a National Indigenous Arts and Cultural Authority

Feedback is being sought from the arts community about whether a National Indigenous Arts and Cultural Authority should be established…

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Standing tall on the national stage

Yirra Yaakin is not only producing important and powerful work: the West Australian company is also nurturing the next generation…

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Telling our story: how BlakDance are supporting artists and growing audiences

From professional development and residency programs to producing artist developments On Country, BlakDance has had a busy 2018 and shows…

News

Applause: latest funding and awards announced

The NSW Parliament Plein Air Painting Prize winner announced, 2018 Prime Minister’s Literary Awards shortlists revealed, winner of the Woollahra…

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Review: VOID at UTS Gallery

In a spirit of deep listening, Void invites us to engage with Indigenous ways of learning, and to hear a…

Features

Japanese 'starchitect' Kengo Kuma makes Australian footprint

From designing Tokyo’s 2020 Olympic Stadium to working with students in Canberra, Kengo Kuma keeps it real by connecting materials…

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Review: On J.M. Coetzee by Ceridwen Dovey

An examination of the work of J.M. Coetzee and his influence on one writer's family.

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Review: Gwendy’s Button Box by Stephen King and Richard Chizmar

Two very gifted writers have combined their talents to produce this short novella.

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David Goldblatt’s quiet determination is a lesson for all photographers

We don’t just take images, we make images – and in doing so impact history. David Goldblatt did so for…

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