Australia
Review Pinchgut Opera: Hasse’s Artaserse
Four-time Grammy Award-nominated special guest star Vivica Genaux shines.
Review: The Merry Widow, Adelaide Festival Centre
The merriest of widows promises a night of pure pleasure with State Opera of SA and the Adelaide Symphony Orchestra.
How art helps us navigate the complexities of love
Two new exhibitions explore the many varied nuances of love and invite us to engage with stories that celebrate both…
In Conversation: Primavera 2018 curator Megan Robson
ArtsHub Visual Arts Editor, Gina Fairley, spoke with MCA’s Megan Robson about the current exhibition, Primavera 2018, in response to…
Film Review: Creed II
With this follow-up to 2015’s Creed, the Rocky franchise delivers its first direct follow-up with heft and weight.
From Victorian Gothic to Frida Kahlo: women's influence on art seen through fresh eyes
Three disparate exhibitions at Bendigo Art Gallery explore the sometimes overlooked influence of women in society, and shed new light…
ICYMI: A wrap of this week’s arts news
Architects appointed for Australian Museum redevelopment, NGA unveiled new Yayoi Kusama infinity room acquisition, a new cultural hub for Redfern…
Review: Bottomless by Dan Lee, fortyfivedownstairs
Support our playwrights and go to see this original new work. It's original, lyrical, unsettling and yet gentle.
Sale of Metro Arts dismays artists but offers hope for the future
Proceeds from the sale of the Brisbane organisation’s heritage-listed home will be invested in a fund designed to seed arts…
Review: Staatskapelle Berlin – Daniel Barenboim
Over three nights, Sydney audiences were granted a grand experience of excellence in orchestral art as well as the mature…