Visual Arts
Review: Love, Displaced, Lawrence Wilson Art Gallery, Perth
Love, Displaced reminds us that we can still find empathy and pause in our era of 21st century screen culture,…
How legislation has given AGNSW the blockbuster edge
Protection against seizure and restitution has enabled some of China's most important objects, once housed in the Imperial Palace and…
ArtsHub and Screenhub appoint George Dunford as new Content Director
Dunford has had a wide-ranging career in digital leadership, and will be relocating from Canberra to Melbourne to take up…
Review: David Goldblatt: Photographs 1948-2018, MCA
This important piece of South African history teaches global lessons in humanity, tolerance and environmental respect. It’s an exhibition for…
Kip Williams on love and LGBTQI+ storytelling
A special panel discussion at NIDA will put LGBTQI+ storytelling and representation centre-stage this Valentine’s Day.
$1M for digitising Western Australian regional collections
A new digital project is committed to making all WA’s regional collections accessible, with additional funds for training to ensure…
ICYMI: this week’s arts news in brief
Records tumble at Arts Centre Melbourne, new leadership program announced in regional WA, festival winds up, latest program announcements, and…
Review: Bodies of art: Human form from the National Collection, NGA
NGA Director Nick Mitzevich’s maiden exhibition traverses gender, genre and history when it comes to describing the body by putting…
Applause: Latest funding and awards announced
tidal.18 award winner announced, Dancenorth's Artistic Director wins 2019 Arts and Culture Award, plus Manus Island detainee wins Vic Premier's…
Review: Borrowed Scenery, Campbelltown Arts Centre
A regional gallery rethinks its collecting future by commissioning a gender audit, and dives deep into timely narratives about its…