Performing Arts
Review: Stalker the Musical, Depot Theatre
STALKER THE MUSICAL. It’s an arresting title. Slightly misleading though and the audience’s disambiguation of the word is all part…
How to care for your queer playwright
If we only focus on developing art that is readily consumable, we risk contributing to a homogenous theatre.
Review: In Between and Sexpectations, Sprung Festival
Charles Sturt University’s Theatre/Media studies students have wowed audiences once again with two new ‘Sprung Festival’ productions – In Between…
Review: Dancenorth's Dust, Brisbane Festival
A powerful piece of contemporary dance that flirts with potentially heavy-handed imagery but never succumbs to the obvious or the…
Review: Séance, River of Light, Life – The Show, Brisbane Festival
Impressions of three very different events at this year’s Brisbane Festival, ranging from a homage to horror and a retelling…
Artists who use the politicised body in their art
A recent panel discussion at Sydney Contemporary unpacked the ideas around how the performed body can either uphold or defy…
ICYMI: This week's breaking arts news
We take a look at the top arts news stories this week.
Review: Schapelle, Schapelle
As the headline act for Charles Sturt University’s annual "Sprung Festival" – a two-week theatrical event – Schapelle, Schapelle is…
Review: Horror, Arts Centre Melbourne
A rollercoaster ride of thrills and chills.
Career Spotlight: Producer, Children’s Theatre
Unlocking a child’s imagination is just the beginning when it comes to creating theatre for young people. ArtsHub asked two…