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Performances & Gigs

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The Inheritance

An epic queer examination of survival, healing, class divide, and what it means to call a place home.

Performances & Gigs

Sydney Opera House PR

Class Act

In Class Act, working class unfortunate Mish Grigor tells the story of a grotesque world of class and social mobility straight…

A person with dark trousers, short hair and a towel around their neck is standing in the distance of a set made to look like an empty pool. There is a stepladder on the top right. Swim.
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Theatre review: Swim, Carriageworks

A trip to a public pool provokes deep, submerged reflections.

Featured
Closing: 7 Aug 2024

Technicians & Technical Support, Events

Senior Technician - Audio

Salary:

 $70,000 - $90,000

Skills: 

Audio, Attention to Detail

Two men are holding up paper puppets that are dressed in the same clothing as they are. Hare Brain.
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Theatre review: Hare Brain, Claremont Show Grounds, Perth

Inanimate objects came to life in this rendition of the hare and the tortoise tale.

A woman wearing a cardboard crown. She has a black top over a light blue skivvy. La Belle Epoque.
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Theatre review: La Belle Epoque, Theatre Works

A multimedia play that interweaves different art forms to tell the story of the Democratic Republic of Congo (DRC).

A woman wearing a fancy ruffly red dress and tiny matching hat is standing in front of a pop art sign that says 'Popera.' She has one arm stretched out.
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Performance review: Popera: Sex, Death & Politics, The Butterfly Club

Uma Dobia plays a feminist icon in 'Popera', ready to stamp out opera’s entrenched sexism in sparkly knee-high boots.

A man in shadow is crouched over in the centre of the room. Around him are four people, two standing on chairs. They are throwing bit of paper in the air. The lighting is awash in red and white spotlight. Elegies: A Song Cycle.
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Theatre review: Elegies: A Song Cycle, fortyfivedownstairs

A new production company makes its premiere with a slick and funnier than expected rendition of songs about losing loved…

Three panels. A man is on the left, a woman on the right. The middle section is bare except for a wooden household object. The panels are lit inside but there is darkness surrounding them.
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Theatre review: Macbeth (An Undoing), Malthouse Theatre

The Scottish play returns with a few modern twists and a (muddled) feminist focus on Lady Macbeth.

Artist Talks

The Johnston Collection

GETTING DRESSED WITH JANE AUSTEN with Lise Rodgers

Using the letters of Jane Austen, some historical background and opinions of the day, guests will step through the doors…

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