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Why I left my art gallery
ArtsHub speaks with artists Luke Cornish (aka ELK) and Zoe Young on why they stepped away from gallery representation, and…
Dance Review: Structural Dependency by Brooke Leeder (Perth Festival)
An industrial, abstract dance work surprises with its intimate human touch.
Theatre Review: Black Brass by Mararo Wangai (Perth Festival)
An intimate journey between memory and reality, where the personal meets the political, is a quiet triumph in contemporary storytelling.
Opinion: The Greens' plans for the arts in WA
The continual underfunding of the arts does more than deprive arts workers of pay and job security. It deprives our…
Theatre review: Harry Potter and the Cursed Child Parts 1 and 2
After 49 weeks, The Boy Who Lived returns to the Melbourne stage – the first international production of the sequel…
Theatre Review: The Cherry Orchard (Perth Festival)
The BBQ is lit, the vodka is poured... it's time to party like it's 1988… or is it?
A catalyst for the Aboriginal art market, Papunya Tula turns 50
Christopher Hodges was one of the first Australian art dealers to represent and champion contemporary Aboriginal artists. Here, he reflects…
$500,000 grant round open for Indigenous Contemporary Music Program
Applications are now open for a $500,000 grant round as part of the Indigenous Contemporary Music Program aimed to support…
How the New Normal needs to become the Future Normal
While COVID brought us new conversations around digital pivots and hybrid working models, the real future normal is how to…
Exhibition Review: Botticelli to Van Gogh: Masterpieces from the National Gallery London
Australia’s first major international exhibition since border closures began, Botticelli to Van Gogh is impressive.