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Studio tips for makers to blitz the end-of-year demand
How do you manage rising costs and still ramp up studio production for the end-of-year push… and its much-needed cash…
Best opportunities, grants & awards for creatives this week
Opportunities for 14 to 20 September 2026 include prizes, funding opportunities and the chance to become an AANT resident in…
Where did the future go? Our obsession with dystopias shows a real failure of imagination
Post-apocalypse stories like Ridley Scott's The Dog Stars have a long history – but lately they've been changing.
Patrick Brammall and Brendan Cowell on Last Seen: ‘It works in a way that we don’t expect’
For stars Patrick Brammall, Brendan Cowell and Chloe Jean Lourdes, the new thriller Last Seen is set apart by its…
Deadman’s Land and the audacious quest to make an adventure film for $30,000
'We put everything we had into this,' says Australian filmmaker Peter Cullen about Bad Virtue Productions' new action-adventure film Deadman's…
Performing arts leaders making a difference recognised in 2026 IMPACT Awards
Arts on Tour takes top honour at Australia's national performing arts awards, nine more winners recognised.
OzAsia Festival to end after 20 years, in a huge blow for Asian‑Australian art and culture
This will be the last OzAsia, with Adelaide Festival Centre declaring a move to year-round programming of Asian voices instead.
From sheepshearing to the world stage: Lewis Major’s unlikely dance journey
Leading Australian choreographer Lewis Major is on a mission to make contemporary dance less intimidating.
Who gets to survive the apocalypse? How to Eat Rabbit offers something fresh to chew on
It’s the end of the world and no one feels fine in this dystopian drama, playing as part of Melbourne's…
No One Gets Out of Here Alive dances with death: ‘We want it to go beyond words’
Playing Brisbane Festival and then Bleach Festival, No One Gets Out of Here Alive is a dance-theatre work about an…