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Mental health support for the arts now just a phone call away
The Arts Wellbeing Collective’s latest initiative is a free telephone helpline for performing artists and arts workers that can be…
After the Goldrush – a new cultural conversation in the West
How can we craft arts policy for the states? Shelagh Magadza from the Chamber of Arts and Culture WA argues…
Mangkaja and Gorman set new benchmark in collaboration
Melbourne fashion label Gorman has collaborated with one of Australia’s most remote Aboriginal Art Centres to create new designs in…
The return of Moon Mania, but are we asking the right questions?
Why Australia's space race is caught in nostalgia, when we should be asking if it’s responsible to glorify space advancement…
Holloway’s final Melbourne International Arts Festival dances with the truth
Exploring the nature of truth in an age of fake news, and with a particular focus on dance – including…
Book Review: Empirical by Lisa Gorton
Gorton’s meditations take on a contemporary romanticism towards Melbourne and contrast it with the history of empire.
Review: A View from the Bridge, State Theatre Company (SA)
A satisfying and well-crafted production that falls short of making a splash.
Review: Kinky Boots, The Q (Queanbeyan, NSW)
Free-Rain Theatre Company’s production captures the joy of the Broadway musical.
ICYMI: rounding up the week’s arts news
Next M Pavilion design unveiled, Melbourne Art Fair shifts gears again, NSW Shadow Arts Minister warns not to overlook Australian…
Review: My Urrwai, Queensland Performing Arts Centre (QLD)
A genre-bending show that explores the narrative of colonialism, culture and connection with humour.