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Review: Cunning Little Vixen, State Opera (SA)
A rapturous affirmation of life, love, and opera, with surprisingly contemporary themes.
Hornsby Art Prize embraces digital art and doubles prize money
Hornsby Art Prize has never looked better than on its 10 th anniversary this year, with a broader national reach,…
What #AusVotes2019 offers the arts
On the eve of the election, here’s how the major parties are fighting for the arts vote.
Roadmap leads museums and galleries away from colonialism
The Australian Museums and Galleries Association’s new First Peoples roadmap provides clear direction on improving Indigenous engagement and employment.
Sure, promise me an artist fee - then not pay me
32 artists affected by the Biennale of Australian Art (BOAA), band with NAVA to expose the unpaid contracts.
Review: Yoga Clowns of the Apocalypse, Salamanca Arts Centre (TAS)
Highly visual and physically engaging, this absurd clown show quickly became a buzz around Hobart.
Review: Così Fan Tutte, Arts Centre Melbourne
Opera Australia’s production is a beautiful escape for the soul and the senses.
Heteronormativity, censorship, and the queer artists facilitating change
On the International Day Against Homophobia, Biphobia, Intersexim and Transphobia (IDAHOBIT) we speak with queer artists about the importance of…
Board member with limited arts experience takes key Black Swan role
The abrupt announcement that board member Danielle Norrish will replace Natalie Jenkins as Executive Director of Black Swan State Theatre…
Review: Death Throes, Blue Room Theatre (WA)
A conceptual performance results from playful collaboration between three strong voices.