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Don't see this play
For a visually-impaired reviewer, His Ghostly Heart, performed entirely in the dark, is a treat others need not to see.
Unveiled: Latest program announcements
A design pioneer, an STC masterpiece, the Australian String Quartet's 2016 season and more are featured in this week's wrap…
Towards new Australian musicals
A new advocacy group with plans to raise funds for the development of new Australian musicals was a key outcome…
FLEXN
The language of the streets is brought to life in physical form in FLEXN.
The Boy at the Edge of Everything
This is a clean, tight and solid production, but it doesn’t shine as brightly as it could have.
Extinction
Human relationships interweave through threads of emotion, ecology, environment and ego in Hannie Rayson’s intense examination of extinction.
Indigenous theatre booms with stories to tell
Excavating the untold history of the Stolen Generations is providing a rich seam of stories for Indigenous writers and performers.
New artistic directors keen to make their mark, slowly
Four Artistic Directors from around the country share their thoughts on new roles, new opportunities, and making their mark on…
Healthy body, healthy art
The body mind dichotomy is dead. Exercise in a gallery or run to let your creative juices flow.
Public submissions sought for overdue Opera Review
A delayed National Opera Review report has been released and is open for comment from the the sector.
