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What will online audiences pay?
New conversations about paying for online events and how habits are changing raise ongoing questions for the arts.
Book Review: The Language of Butterflies by Wendy WIlliams
This non-fiction work takes a social, historical, and ecological look at the world's favourite insect, and the little known figures…
Winding back JobKeeper and JobSeeker will push 740,000 Australians into poverty
Arts workers are heavily reliant on JobKeeper (if they're lucky enough to have their work recognised by the program) with…
Is corporate art collecting still a thing?
The corporate art collection may have changed since the ‘greed is good’ days but it still has an important role…
Essential skills of a great arts administrator (from the archives)
Facilitation and strategy, nurturing artists' ideas, and examining challenges at a macro and micro level simultaneously: arts administrators are the…
Book Review: Having and Being Had by Eula Biss
Using her own experiences as a lens, Eula Biss interrogates our psychosocial relationships with money, wealth and consumption.
Theatre Review: Much Ado about Nothing by TheatreiNQ
The Bard’s most farcical play was a flawless choice for TheatreiNQ's pandemic-aware return to the stage.
Review: Gaslight, State Theatre Company of SA
Adelaide audiences enthusiastically embrace Australia’s first mainstage post-COVID production.
New research examines link between culture and inequalities
There is clear evidence that the kinds of culture Australians have access to depends on their social backgrounds, new research…
As COVID wreaks havoc, do we still need a national opera company?
Last year Opera Australia was boasting an operating surplus. Last month it was restructuring to cut 25% staff. And with…
