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Book review: A New Name for the Colour Blue by Annette Marner
In this poignant read, Annette Marner deserves credit for her honest analyses of the trauma inflicted by domestic violence.
Why we should free Australia's female novelists from their male pseudonyms
For these authors, using a pseudonym was not just about slipping their work past male publishers who did not think…
ICYMI: The week's top news in the arts
More money for ACT artists, curatorial assistant program, Doug Aitken commission for TAS, design takes centre stage at Powerhouse, Crime…
What Darwin Festival learned about operating in a pandemic
The homegrown Darwin Festival 2020 created a palpable sense of community despite adhering to social distancing guidelines.
Calling scientists and creatives for new residency at Sydney Observatory
Observatories are far more than places to star gaze; they’re repositories of history, exploration, timekeeping, and meteorology – and now…
Lost for words after Beirut - How trauma stifles expression
Former journalist Shaya Laughlin found herself unable to write when she was caught in the recent Beirut explosion (her home…
Weathering the storm: Australian theatre for young audiences in the time of Coronavirus
The double blow of COVID and funding cuts have hit the youth arts and theatre for young audiences sectors hard,…
Visual Arts Review: The Body Electric centres the erotic female gaze at the NGA
NGA's The Body Electric interrogates the relationship between the female body and the gaze of the camera, writes Cherine Fahd.
Connection, conversation & cultural exchange: Artlands online
The Artlands Conversation Series is a curated series of online discussions exploring the needs and issues important to regionally based…
State arts service organisations: effective, engaged but endangered
The professional development opportunities offered by the likes of Writing NSW and NAVA increases the visibility, viability and inclusiveness of…
