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Theatre Review: Medea (Adelaide Festival)
A livestreamed theatre production from Amsterdam that refreshes the ancient story.
Theatre review: Harry Potter and the Cursed Child Parts 1 and 2
After 49 weeks, The Boy Who Lived returns to the Melbourne stage – the first international production of the sequel…
$500,000 grant round open for Indigenous Contemporary Music Program
Applications are now open for a $500,000 grant round as part of the Indigenous Contemporary Music Program aimed to support…
Theatre Review: Whistleblower, The Last Great Hunt (Perth Festival)
Fast-paced, high-stakes interactive improvisation, featuring audience volunteers, as slickly delivered live-stream directed work.
Exhibition Review: Adelaide//International, Samstag Museum of Art
Speculations on the future, and our complicity in it, are at the heart of these four exhibitions featured at Adelaide…
A catalyst for the Aboriginal art market, Papunya Tula turns 50
Christopher Hodges was one of the first Australian art dealers to represent and champion contemporary Aboriginal artists. Here, he reflects…
The magic is back: Harry Potter and the Cursed Child returns to the stage
Actors discover muscle memory propelling them across the stage after 49 weeks off, and also discuss the impact of J.K.…
Theatre Review: The Sum of Us (Perth Festival)
Yirra Yaakin’s The Sum of Us is a tale of a strong family bond, ageing, queerness and the dance we…
ICYMI: The week's top news in the arts
Sculpture by Sea needs help, life drawing on opera stage, WA's Fringe World outcome, QSO goes bush to perform, La…
Theatre Review: The Cherry Orchard (Perth Festival)
The BBQ is lit, the vodka is poured... it's time to party like it's 1988… or is it?
