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Exit interview: Kris Stewart, Brisbane Powerhouse
After eight years and 2,5000 productions, Kris Stewart has left the Powerhouse to take on a new role as CEO…
Create your own future in a collaborative culture of live performance
Be career-ready for your backstage future with the Diploma of Live Production and Technical Services at TAFE SA’s Adelaide College…
Six new art galleries open in pandemic optimism
The art market has come out of COVID better than first expected, with many dealers using it as a catalyst…
Music Review: Meow Meow’s Pandemonium, MSO
Meow Meow and the MSO join forces for a slapstick cabaret of mischief and Pandemonium.
Theatre Review: The Lifespan of a Fact
Melbourne Theatre Company plays fast and loose with fact and fiction.
On the Move: Latest sector appointments and departures
Powerhouse Museum appoints inaugural Director, First Nations; new GM for 4A Centre for Contemporary Asian Art; Curator Visual Arts joins…
Introducing new Music Tasmania CEO Keith Deverell
Taking on the challenges of helming an arts organisation in the wake of the pandemic was a chance for Keith…
Theatre that challenges ideas of Muslim Australian identity
When playwright Lur Alghurabi and ActNow’s CEO Yasmin Gurreeboo didn’t see Muslim Australians on stages, they created their own production.
Melbourne Fringe receives $1M budget windfall as Sydney Fringe announces new initiatives
Fringe Festivals in Australia’s two largest cities are preparing for a return to physical presentation of work as they announce…
ArtsHub speaks with $100,000 Ramsay Art Prize winner, Kate Bohunnis
South Australian artist Kate Bohunnis has won the Ramsay with a kinetic sculpture that explores the oscillation between function and…
