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Exit stage left: Geoffrey Rush leaves MTC production
The actor has cited ‘current circumstances and medical advice’ as his reasons for leaving a production of Twelfth Night, which…
AFTRS is searching for the next generation of screen storytellers
If you’re wondering whether to take up a Masters in Screen Studies, an AFTRS Taster session could be just the…
Review: The Rolling Stone, Seymour Centre
You wouldn’t expect a play about anti-gay violence in Uganda to nail its comedy.
Review: Permission to Spin, Old Fitz Theatre
It’s not easy to make a Happy Meal toy sound so sinister, but there you go.
Things the taxman told me: advice from the experts
Are you avoiding the pile of receipts that’s been building up all year? ArtsHub spoke with two accountants who gave…
Review: Bukal, JUTE Theatre
Bukal is a story of humble beginnings, family, tradition and culture. Bukal is a story of an amazing woman.
Review: Carrion, Arts House
Justin Shoulder's recent work Carrion demonstrates the change-making potential of embodied performance.
Happy employees don’t jump ship
From hiring a Chief Happiness Officer to introducing ping pong tables, the pursuit of happiness by employers continues to evolve…
Review: Spirit Realms – Sacred and Profane, Sydney Symphony Orchestra
A performance that failed to reach the exhilaration of its program.
Review: Blackie Blackie Brown: The Traditional Owner of Death, Malthouse Theatre
Telling this story requires great strength, and the script holds a burning anger that can only be derived from deep…
