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On the move: the latest appointments and resignations
A new Director at CCP and a CEO for Tandanya National Aboriginal Cultural Institute; QAGOMA's new Head of Australian Art;…
Review: Buried Country, The Beginning of Nature & Baker Boy, Darwin Festival
Impressions and critical reflections on the opening weekend of this year’s Darwin Festival by our Performing Arts Editor, Richard Watts.
What happens when artists think small
Sometimes it’s the little things that often matter the most — an idea that Bundanon Trust is exploring through science…
How to navigate a festival program
With dozens, sometimes hundreds of choices, navigating an arts festival program can be overwhelming. Arts industry figures offer their tips…
Sex sells, but does it sound good?
Is the increased focus on performers' sex appeal a tacit acknowledgement that classical music can no longer connect with society…
Review: Torch Song Trilogy at The Eternity Playhouse
A sensational revival of this rarely seen classic and a thought-provoking examination of LGBTI issues.
Why creative partnerships are important to an organisation’s growth
ArtsHub speaks with some of the winners of this year’s Creative Partnership Awards about the value of philanthropy, and the…
More than just art: youth, dance, and community
Support, connection, self-trust and being truly heard: for young people in Launceston, Stompin is far more than just a youth…
Where to now for the MPA Framework?
Revolution or evolution? With a survey of the Major Performing Arts Framework underway, AMPAG's Chair, Deputy Chair and Executive Director…
Applause: latest funding and awards announced
Winner of Kilgour Prize 2018 celebrated, MTC's subscriber record, Woollahra Small Sculpture Prize finalists revealed, 2019 SALA Festival featured artist…
