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Review: The Wharf Revue 2018: Déjà Revue, Sydney Theatre Company
The familiar awfulness of Australian politics is clearly a curse but the familiarity of the revue itself is a mixed…
Applause: latest funding and awards announced
2018 NSW Visual Art Emerging Fellowship awarded; five Brisbane filmmakers share $50,000 in funding; finalists for the National Photographic Portrait…
ICYMI: A wrap of this week’s arts news
New program announcements, annual reports demonstrate the arts matter, 11 million visitors, education initiatives and more in this week's wrap…
Moving forward – a clearer vision for the Arts in Victoria
In the lead up to the Victorian state election on 24 November, the Shadow Minister for the Arts and Culture…
Artists at the pointy end of Ballarat Biennale’s financial over-commitment
Social media attack or real concerns? ArtsHub examines this week’s news of BOAA’s alleged financial mismanagement, which has resulted in…
Review: The Dance of Death, Belvoir
Playing at Belvoir, this new production of Strindberg’s 1900 classic play, is an increasingly macabre waltz steeped in the chant…
Review: Die Meistersinger von Nürnberg
Opening night was musically magnificent thanks to a talented local cast bolstered by two splendid German imports and Orchestra Victoria,…
Embracing risk: moving interstate to further your career
Theatre-maker Steven Mitchell Wright and dancer Ngioka Bunda-Heath discuss their respective decisions to leave Brisbane and embrace Melbourne as their…
Review: Bespoke, Brisbane Powerhouse
Queensland Ballet’s contemporary season of Bespoke at Brisbane’s Powerhouse delivers a highly energetic outstanding production. A quintessential narrative of modern…
5 ways a human rights degree can shape your career path
Enrich your career by delving deeper into philosophical debates, cultural systems and global theories, and let learnings from different perspectives…
