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The myth of the general audience
In her 2018 Philip Parsons Memorial Lecture, playwright Alana Valentine speaks about the power of the collective experience and those…
Artists with disability the focus of new Sydney Festival initiative
The initiative, presented in partnership with Accessible Arts, aims to increase the number of Deaf artists and artists with disability…
Review Pinchgut Opera: Hasse’s Artaserse
Four-time Grammy Award-nominated special guest star Vivica Genaux shines.
Review: Invisible Things, Brisbane Powerhouse
Alex Mizzen delivers a commanding circus dance theatre piece in Invisible Things, spellbinding the audience with her one-woman show.
On the Move: latest appointments and resignations
New appointments for Monash Centre for Theatre, Queensland Music Festival, Symphony Services Australia, Regional Arts Australia, Monkey Baa Theatre Company,…
Not your normal music festival: Mona Foma rejects sexism and homogeneity
Like Launceston’s Cataract Gorge, Mona Foma has broken through cultural fault lines to ensure its first iteration in Tasmania’s north…
How an online journal launched my content career
If you don’t have the skills required to land the job you want, learn them yourself by starting up a…
Review: Sydney Dance Company's New Breed 2018
The current season of Sydney Dance Company's New Breed features four exciting and challenging works.
Review: The Merry Widow, Adelaide Festival Centre
The merriest of widows promises a night of pure pleasure with State Opera of SA and the Adelaide Symphony Orchestra.
Sale of Metro Arts dismays artists but offers hope for the future
Proceeds from the sale of the Brisbane organisation’s heritage-listed home will be invested in a fund designed to seed arts…
