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Creative life after kids – how to make it work
Juggling a creative career with irregular work and income is challenging at the best of times, but what happens when…
Review: One Infinity, Perth Festival
One Infinity is a reminder of our place within this ever-expanding, infinite universe.
Review: Alchemic by Cassils, PICA
Two exhibitions at PICA give viewers the opportunity to confront, and to change, societal perceptions of complicit violence, making them…
Review: Jesus Christ Superstar, Riverside Theatres
With attention to detail, historical research and the assembling of a skilled company, this Jesus Christ Superstar is respectful, dramatic…
Review: A Family Outing – 20 Years On, Perth Festival
Twenty years after performing alongside her parents, Ursula Martinez revisits the conceit after her father's death and as her mother…
Review: MTC’s The Lady in the Van, and Malthouse's Barbara and the Camp Dogs
Melbourne’s two major theatre companies open significant productions a night apart, and never has the contrast between the companies been…
Kip Williams on love and LGBTQI+ storytelling
A special panel discussion at NIDA will put LGBTQI+ storytelling and representation centre-stage this Valentine’s Day.
ICYMI: this week’s arts news in brief
Records tumble at Arts Centre Melbourne, new leadership program announced in regional WA, festival winds up, latest program announcements, and…
ArtsHub and Screenhub appoint George Dunford as new Content Director
Dunford has had a wide-ranging career in digital leadership, and will be relocating from Canberra to Melbourne to take up…
Review: The Wolves, Belvoir
The most powerful aspect of The Wolves is the dissonance between admiring the physical skills and focusing in on the…
