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How to figure out your next step (when you feel stuck)
Creatives share the processes they use to face uncertainty, deal with feeling stuck, level-up in their arts careers, upskill, and…
On the move: the latest appointments and resignations
Fringe World attracts new international director, new CEO/AD for Bleach* Festival, new appointments at Circus Oz, Yirra Yaakin's new AD,…
9 electric quotes on diversity from industry experts
A panel at the Fair Play Symposium highlighted that ‘the need for change can be met with defensiveness and discomfort’.
$129 million boost to Adelaide's cultural economy
$85M to new Aboriginal Art Gallery, a $9M boost towards construction of The Heysens, a $3M boost for Carrick Hill…
Why we should celebrate the aging body in dance
Beautiful and athletic bodies are all well and good, but senior dancers bring refinement, emotional depth and a wealth of…
Review: Ten Days on the Island part one, the North West
Tasmania’s biennial Ten Days on the Island is the only ‘whole of state’ arts and cultural festival in Australia; Kath…
Review: Every Brilliant Thing, Belvoir
Mulvany is superb in this one woman show.
Review: Yo, Carmen, Arts Centre Melbourne
Bizet’s opera reimagined with a contemporary flamenco flare and an emphatic declaration of freedom.
Review: Monty Python's Spamalot, Hayes Theatre
This show delivers up what Monty Python fans are likely hoping it will, and also stands on its own as…
Biggest trends for 2019 from REMIX Summit London
At Remix Summit London, Sophie Harding (Mindshare UK) gave her insight into what would be the big trends for this…
