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Worrying about writing as a person of colour
Playwright Jean Tong on her fears that ‘diversity’ is ghettoising the artistic work of people of colour.
How to Hold Space for your Actors
Originally trained as an actor, film director Kim Farrant shares deep wisdom about getting the best from performers.
Review: Forgotten Places, Kingston Arts Centre (VIC)
A blend of performance and visual art that seeks to inspire a sense of wonder at the universe.
Applause: Latest awards and celebrations
Sisters in Crime Davitt winners; Copyright Agency grants; Sunshine Coast Arts Prize; Kennedy Prize announced; and more.
The burden of responsibility as an activist
Nothing comes easy, especially with disabilities art. Three international leaders talk about the burdens and wins of activism, visibility, failure…
Review: Ulster American, Red Stitch Actors’ Theatre (VIC)
An expertly crafted story that mocks ideological hypocrisy and offers no easy answers.
Review: Refuge 2019: Displacement, Arts House (VIC)
A timely and necessary program that calls on us to be active participants as we face this state of emergency.
Review: Avalanche: A Love Story, Roslyn Packer Theatre (NSW)
STC’s production presents a powerful journey through infertility.
Review: Natalia Osipova’s Pure Dance, Sydney Opera House (NSW)
Four dancers present some challenging modern pieces by a smorgasbord of choreographers.
OzCo’s new Corporate Plan sees limited growth
The Australia Council has unveiled its next five-year Corporate Plan with limited growth despite strong performance. What does the future…
