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And it could be yours ... well, for a while
From John Olsen to Lindy Lee and Joan Miró to Helen Frankenthaler – the National Gallery is making available top-drawer…
100 days on the job: Bree Pickering, National Portrait Gallery
How is Bree Pickering using her US experience to regear the National Portrait Gallery in its 25th anniversary year?
When the money is given back … something is terribly wrong
News of the cancellation of the Hyde Park Barracks Art Commission has raised many questions.
How to guarantee your creative business idea succeeds
How do you identify whether your creative business idea is a destined for success? MoPA's Thomas Mahon shared his tips…
How the State Library of Victoria is reinventing itself through art
There are galleries in libraries and Iibraries in galleries – are these categories still relevant and what is the role…
Strengthening connections between Australia and Indonesia
With Aaron Seeto at the helm, Jakarta’s Museum MACAN is facilitating new conversations with Australia-based artists.
What do artists do when the crowd isn’t looking?
Buxton Contemporary's new group exhibition goes against the grain to consider solitude and the 'after hours' labour of artistic practices.
New trends in visible storage in museums
What exactly is ‘visible storage’ in today’s museum environment of greater accessibility, and how is it changing how museums are…
What does it mean to be a 'destination venue' in our times?
Over one million people have visited the Art Gallery of NSW since its North Building opened in December, but they…
Language, hospitality and discomfort in the work of Mithu Sen
mOTHERTONGUE is a dense, mid-career survey of Bengal-born artist Mithu Sen that escapes simple definitions.
