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Review: If the future is to be worth anything, ACE Open
Curated by Patrice Sharkey and Rayleen Forester, this is an ambitious survey exhibition of contemporary arts in South Australia.
Book Review: Truth Bomb by Abigail Crompton
Bringing together 22 strong, resilient and determined female voices from around the world, Truth Bomb is a homage to the…
Review: Van Gogh Alive, The Royal Hall of Industries, Sydney
If you can get past the mental roadblock that this is not an exhibition of Van Gogh's paintings but a…
Book Review: Bad Boss by Michelle Gibbings
With Bad Boss: What to do if you work for one, manage one, or are one, Michelle Gibbings demonstrates a…
Book Review: Show Me Where it Hurts by Kylie Maslen
Kylie Maslen’s 'Show Me Where it Hurts' is a provoking and much-needed contribution to the conversation about invisible illness.
Book Review: The Language of Butterflies by Wendy WIlliams
This non-fiction work takes a social, historical, and ecological look at the world's favourite insect, and the little known figures…
Book Review: Having and Being Had by Eula Biss
Using her own experiences as a lens, Eula Biss interrogates our psychosocial relationships with money, wealth and consumption.
Theatre Review: Much Ado about Nothing by TheatreiNQ
The Bard’s most farcical play was a flawless choice for TheatreiNQ's pandemic-aware return to the stage.
Review: Gaslight, State Theatre Company of SA
Adelaide audiences enthusiastically embrace Australia’s first mainstage post-COVID production.
Review: Anita Johnson Larkin at Wollongong Art Gallery
Anita Johnson Larkin has the capacity to transform the autobiographical into the multi-biographic, sharing intimate stories through objects discarded by…
